Sarah Kane

I feel as though I’ve been drawing all my life. From a very early age I was peaking over my older brother’s shoulder, picking up techniques and tips. I owe a lot of my initial interest in art to him. I hadn’t even really thought of painting until my final year in high school. I began really enjoying the fluidity and freedom of a brush, as opposed to the safety I felt within the confines of graphite. My pencil work is still years ahead of my painting, but I devote a lot of time to learning the craft. My entire life is art, I see it everywhere and it’s never far from my mind.

I truly believe that the skills you find within yourself throughout your life as an artist cannot be taught in any institution. Sure it’s true you learn the history of art, basics on color and techniques; but there is something unspoken in the world of art when an artist gazes upon another artist’s work and feels that fuel tank of inspiration fill up. Although it is true that choosing art as a career can be exhausting and at times it may seem impossible, if one is afforded the opportunity to become immersed in what they love it should not be taken for granted. I do believe it is as simple as determination and finding ways to keep that inner spark ignited.

As I’ve mentioned my brother was my earliest mentor, I have many motivators in my life. When I decided to quit my job and become a full time artist, I received only positive reinforcements from my family. My mother especially has always believed I could make anything happen that I wanted, and I couldn’t help but fall for that idea my whole life. My younger sisters have always beamed about how much they looked up to me, and I feel I owe it to them more than anyone to show them how to make a dream a reality. Luckily I met a wonderful man and his wonderful family, I’m not sure how they do it, but they seem to find the silver lining in every single cloud out there, it’s contagious.

When I’m preparing a show of work, I first am inspired by a theme that strikes my fancy. It starts out as a blurry idea in my mind, vague at first with little hints of pieces I pick up from here or there. Eventually the whole thing snowballs into a chain of ideas that come into focus one by one. My paintings tend to give the gist of the story, and my drawings take the viewer into a more detailed look. I take more chances with my graphite work, as I’m more confident in that medium; however, I am finding that with time the gap between my acrylics and graphite is slowly closing in.

I have never seriously worked on preliminary sketches for any of my finished pieces, it’s just not how I work through an idea. I tend to jot down these ideas on any old scrap of paper I can find, and eventually I have this mess of ideas in no particular order. Agreed, it’s probably not the most organized way of going about the process, but I can’t seem to kick myself of the habit. After the brainstorming, I begin to look for costumes and props to stage photoshoots in various and odd places. I like the idea of placing something synthetic in nature. The photographs I work from are never the finished idea, from there I will alter and change the images until I’m happy with the way they make me feel; and there are some pieces I never get to that happy place with.

They played a huge role in my childhood. These were the females I looked up to and fantasized about being someday, or perhaps in a parallel universe. Many of the morals in the stories were lost to me as a child though, it wasn’t until I was older I realized a lot of the darker undertones in each character.

I find inspiration in all areas of life. Although it’s wonderful to see beautiful paintings in a prestigious museum, a stormy day with a mug of tea can do just about the same thing for me. I would say I am most motivated by the feeling I get when I create something I am actually satisfied with; because that brings a bit of hope that someone else will connect with something I’ve created.

I think there are different strokes for different folks and what might work wonders for me, may not do a thing for another artist. I love bringing soul to the everyday; a pathway overlooked by most, a stream hidden from every angle but one, or a young girl who in school might also be overlooked, in my pictures becomes one of those characters I longed to be as a child. Find passion in everything you can, and when you do enjoy it.

I don’t think I’m trying to send any one particular message, just a sense of being. Art’s purpose has changed in so many ways throughout the years. There was a time its necessity was evident, where as now I feel it’s trying to find its place again. If I can in anyway be a part of that, I’m honored.

Same old, same new. I hope to continue to create work in themes that intrigue the masses. This year there will be two main exhibits I’ll be working on: The first is a series of pin-ups based on the characters in a deck of cards, which will be taking place from July 15th – 26th at the Arts Project; and the second will take a look at the beauty and differences in both day and night, running from December 9th – 20th also at the Arts Project.